Writers’ Retreats
A number of retreats exist in
many states and internationally. All basically provide lodging, meals, and
uninterrupted time for their guests to write. Most are for a week or two and
usually cost hundreds to thousands, not including transportation to and from.
Time is allocated for some socializing or sharing of your work with other
writers.
There are a great many more
writer’s conferences throughout the country, which offer opportunities to speak
to agents and give classes on various topics ranging from poetry to fiction and
all the intricacies one must master in each genre—characterization, creating
suspense and tension, the difference between a haiku and iambic pentameter—and
classes in the business of writing—publication, promotion, self-publishing.
Conferences usually have a set
number of class periods scheduled with a choice between two topics for each. Last
year at the Write Angles Conference, a yearly one-day, affordable conference in
Holyoke, they had, for instance, classes on internet resources for writers, how
to develop your main character, poetry (I don’t remember the specific topic
since I didn’t take that class), and a forum with the guest agents to discuss
log lines—one sentence of under fifty words that describes the main idea of
your novel or nonfiction piece, often used for promotion and on a book jacket
to lure in readers.
An Invitation to
a Hybrid Retreat
As I haven’t managed to sell any
of my writing yet, I can’t afford more than the local Holyoke conference. I
would like to configure my own combination of a writers’ retreat and learning
experience to concentrate on perfecting and sending out my short stories, start
a new novel, explore the online world of writers, and learn how to navigate
Twitter.
The ideal situation would be to
have someone else who can take care of the chores and cooking and someone,
possibly the same person, knowledgeable about the intricacies of the internet
and good at teaching them to barely computer-literate people like me. I would like
another writer or two to join me and share their experiences in writing and
trials and tribulations in the business of writing and publishing.
The location has to be decided,
maybe along the lines of an out-of-season and more affordable beach house or a cross-country
train trip (I know someone who is going to California, a nine-day trip, for
just over $200.00) and the time. I’m open to suggestions. We also need to find
the person or people who can help in allowing the writers the full freedom and
time to write and learn. I hope those reading this share it with anyone they
think might be interested and message me. I’ll let you know how it turns out.
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