The
Three Best Reference Books for Fiction Writers
Grammar
Writer’s
Digest sells its book the Grammar Desk
Reference on its website. Written to help the learning process, previous
information is repeated to highlight new facts, which works well with the
memory process.
A
good dictionary will give grammar tips in its introduction as well as in the
definitions, usually headed usage notes.
Content
I’ve
written about Donald Maass’s book The
Breakout Novelist before. I bought an updated version that included
excerpts from his books The Fire in
Fiction and The Career Novelist.
He has over thirty years of experience as an agent and very definite ideas
about what makes a good novel. His view on platform is comforting for the new
writer trying to become established. So many harp on the need for a public
audience garnered through a blog, website, published works in well-known magazines,
etc.
Publishers
want to know you have ready-made buyers for your book. Mr. Maass says most
novels are sold by word of mouth—not TV exposure, favorable blurbs by critics,
book tours. Social media nowadays is a required skill to connect to potential
readers but good writing trumps all. Hope publishers and other agents agree
with him.
Lisa
Cron’s book Wired For Story states
that as a species, humans need stories as a means to learn how to deal with
situations in a safe manner. Think: old hunter explaining how best to approach
dangerous animals to young hunters. She also explains how we respond to stories
and what elements satisfy us. We want to be able to identify with the
characters—positive and negative qualities—and learn something about the human
condition.
These
two books together give balanced advice on building a career, creating
characters, scenes, plot, an overall theme for your story, and the
all-important tension and conflict that drive a story. Learning the difference
between inner and outer conflict and how to bring them together is crucial for
any story teller.
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